Dance and Theatre Education at BDTS
AN UNCOMMON APPROACH TO DANCE EDUCATION
Dance classes in which the
learning process is its own reward
At
Barriskill our approach to dance education is aimed at helping our students
find the intrinsic rewards of learning to dance rather than the external rewards
we so commonly strive for.
FlowDance©
is a method we have developed to deliver traditional dance curricula
- FlowDance© is a term we have applied to mean: the practical application of the principles and theories of "Flow Theory" observed by eminent psychologist M. Csikszentmihalyi to the dance education process.
- FlowDance© is a specific method of presentation or delivery of a dance curriculum in which the objective is to achieve a psychological state known as "Flow". Applied correctly it allows and encourages the use of traditional dance syllabi like Cecchetti, R.A.D., Vaganova, Luigi, Graham etc.
- The purpose of FlowDance© is to achieve a more intrinsic, present moment based interest in an activity rather than the more traditional extrinsic future based reward system.
- During a flow activity participants have reported feeling happy, satisfied, highly attentive and focused, creative, without self-consciousness and a complete sense of involvement.
- An activity that is reported as flow is said to be so gratifying that one does it simply for the sake of doing it regardless of how difficult it may be without any regard for what they will get out of it
- Most elite dancers report that they are less concerned with the rewards of performance (a highly paid job, recognition, applause etc) but simply dance for the sake of dancing
- The situation one is in when one is flowing is considered to be an optimal experience and the environment that provides that experience the "optimal environment
- FlowDance© is an attempt to more likely ensure an optimal learning environment for dance students.
- FlowDance© bridges the gap between what is considered to be the tedious, strenuous and slow teaching of dance technique with the more "fun" and pleasurable" teaching of recreational dance.
-
Flow dance has 4 primary components
i. Physicality: "flow" is more likely to occur during strenuous physical activity.
ii. Clarity of goals: rules and expectations to the student must be understandable, clear, precise and age appropriate.
iii. Balance of challenge and skill level: there must be a thoughtful, progressive approach to skill training that is not too "boring" and slightly more challenging than current skills allow.
iv. Feedback should be immediate, obvious and direct: students need to have feedback about the success of their efforts that progresses from the passive feedback offered by the teacher and the mirror to the self-directed feedback noted in the more mature kinesthetic sensations.
Viktor Frankl Man's Search for Meaning 1946
Mihaly Csikszentmihayi Flow: The Psychology of Optimal Experience, 1990
Read Dr. Csikszentmihaly article in New Horizons for Learning




